Awards & Winners

William P. McGivern

Date of Birth 06-December-1918
Place of Birth Chicago
(Illinois, United States of America, Chicago metropolitan area, Area code 872)
Nationality United States of America
Also know as William McGivern, William Peter McGivern, William Peter McGivern
Profession Writer, Journalist, Screenwriter, Novelist
William Peter McGivern was an American novelist and television scriptwriter. He published more than 20 novels, mostly mysteries and crime thrillers, some under the pseudonym Bill Peters. His novels were adapted for a number of films, among them Odds Against Tomorrow, a noir tale of three losers, The Big Heat, starring Glenn Ford as a cop that will do anything to get his man, and Rogue Cop, a film noir directed by Roy Rowland. The Big Heat received an Edgar Award in 1954 as Best Motion Picture, which McGivern shared as author of the original novel. Born in Chicago, Illinois, McGivern grew up in Mobile, Alabama. After serving in the Army in World War II and studying at the University of Birmingham, McGivern returned to the US and worked for two years as a police reporter for the Philadelphia Bulletin and later as a writer for the Evening Bulletin in Philadelphia. His first hardboiled novel appeared in 1948. In 1947 he married Maureen Daly one of four sisters Time Magazine referred to as "the celebrated Daly sisters," who were known for their writing and work in, journalism, fashion and advertising. McGivern and his wife co-wrote Mention My Name in Mombasa: the Unscheduled Adventures of an American Family Abroad, which covered their times and adventures living oversees, including Africa, Torremolinos, Spain and Ireland.

Awards by William P. McGivern

Check all the awards nominated and won by William P. McGivern.

1954


Edgar Award for Best Motion Picture Screenplay
Honored for : The Big Heat

Nominations 1954 »

Award Nominated Nominated Work
Edgar Award for Best Motion Picture Screenplay The Big Heat

1949


Nominations 1949 »

Award Nominated Nominated Work
Edgar Award for Outstanding Mystery Criticism