Year |
|
Winner |
Winner Work |
2014 |
|
John Banville |
John Banville, who won the Booker Prize in 2005 for his novel The Sea, has won the prestigious Prince of Asturias award for literature |
2010 |
|
Amin Maalouf |
His work, which has been translated into more than 20 languages, proves him as one of the contemporary writers who has most deeply explored Mediterranean culture, represented as a symbolic space of coexistence. |
2009 |
|
Ismail Kadare |
Narrator, essayist and poet, Kadaré represents the pinnacle of Albanian literature and who, without forgetting his roots, has crossed frontiers to rise up as a universal voice against totalitarianism. |
2008 |
|
Margaret Atwood |
for her outstanding literary work that has explored different genres with acuteness and irony, and because she cleverly assumes the classic tradition, defends women´s dignity. |
2007 |
|
Amos Oz |
|
2006 |
|
Paul Auster |
for the transformation in literature that he has wrought by blending the best of American and European traditions, for the innovation he has brought to narrative style in the cinema |
2005 |
|
Nélida Piñon |
Author of an inciting work narrative, artistically sustained in the reality and the memory, and also in the fantasy and the dreams. |
2004 |
|
Claudio Magris |
Claudio Magris epitomises the finest humanistic tradition and the pluralism. |
2003 |
|
Susan Sontag |
Fatema Mernissi and Susan Sontag, provide complementary perspectives in a dialogue between cultures. |
2002 |
|
Arthur Miller |
an undeniable master of contemporary drama who has projected modern day society's fears. |
2001 |
|
Doris Lessing |
The creator of an imaginary, everyday world, and her characters, the offspring of contemporary society, are a faithful reflection of twentieth century morals. |
2000 |
|
Augusto Monterroso |
His narrative works and essays create a literary universe of extraordinary ethical and aesthetic depth, highlighted by a Cervantine, melancholic sense of humour |
1999 |
|
Günter Grass |
Outstanding figure in literature, critical humanism and moral commitment in our times. |
1998 |
|
Francisco Ayala |
All his work is characterized by lucidity, the liberal, and the inquiry into the human condition. |
1997 |
|
Álvaro Mutis |
His literary creation, unanimously recognized as one of the Spanish-speaking world´s highest achievements, links the tenets of Magic Realism with the concerns of modern man. |
1996 |
|
Francisco Umbral |
Prince of Asturias Award for Letters to Mr. Francisco Umbral, a lively and controversial example of complete dedication to literature |
1995 |
|
Carlos Bousoño |
An outstanding representative of the first generation of post-war Spanish poetry, Carlos Bousoño is an example of creative development characterised by profound existentialist concerns. |
1994 |
|
Carlos Fuentes |
For his defence, in his writings, of freedom of imagination and the dignity of thought. |
1993 |
|
Claudio Rodriguez Fer |
For his importance in the 50s group of poets and in terms of current young Spanish poetry. |
1992 |
|
Francisco Nieva |
In recognition of his continual work in renewing the finest Spanish theatrical tradition, his creative power with words and the inventiveness of his scenic spaces |
1991 |
|
The People of Puerto Rico |
Prince of Asturias Award for Letters to the people of Puerto Rico. |
1990 |
|
Arturo Uslar Pietri |
Creator of the modern historical novel in Spanish America, whose incessant and fruitful literary activity has greatly contributed to enlivening our common tongue |
1989 |
|
Ricardo Gullón |
Has managed to make his research work transcend the limits of criticism to become a revelation of the mystery of artistic invention in mankind. |
1988 |
|
José Angel Valente |
|
1988 |
|
Carmen Gaite |
|
1987 |
|
Camilo José Cela |
|
1986 |
|
Mario Vargas Llosa |
|
1986 |
|
Rafael Lapesa |
|
1985 |
|
Ángel González Muñiz |
Because poetry, through his work, survives the scepticism of an epoch with paradoxical tenderness. |
1984 |
|
Pablo García Baena |
For his perseverance in cultivating an independent aesthetic attitude, and for his influence upon new tendencies in Spanish poetry |
1983 |
|
Juan Rulfo |
In recognition of the great aesthetic quality, depth of invention, aptness and expressive novelty, as well as his decisive influence on subsequent narrative in his country. |
1982 |
|
Miguel Delibes |
In both cases their capacity of invention and description has been displayed in a masterful control of the Spanish language, which guarantees their survival in the history of Spanish literature |
1981 |
|
José Hierro |
Which represents a historical testimony and, at the same time, an ethical attitude, both of which are worthy of public acknowledgement. |