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The Open Theater was an experimental theatre group active from 1963 to 1973.
It was founded in New York City by a group of former students of acting teacher Nola Chilton, and joined shortly thereafter by director Joseph Chaikin, formerly of The Living Theatre, and Peter Feldman. The group's intent was to continue Chilton's exploration of a "post-method", post-absurd acting technique, by way of a collaborative and wide-ranging process that included exploration of political, artistic, and social issues, which were felt to be critical to the success of avant-garde theatre. The company, developing work through an improvisational process drawn from Chilton and Viola Spolin, created well-known exercises, such as "sound and movement" and "transformations", and originated radical forms and techniques that anticipated or were contemporaneous with Jerzy Grotowski's "poor theater" in Poland. According to playwright Megan Terry the notion of a minimalist aesthetic was fueled by the company's quest to achieve narrative insight and political accountability through the body of the actor:
During the sixties we were concerned with stripping away. Chaikin and the Open Theater actors worked to reveal the actor's imagination as projected by the actor's presence. We showed that full, exciting theatrical productions could be done with nothing but actors and two benches or four chairs or only a bare stage. It was not only a matter of economics, it was essential to demonstrate the profound power of the actor's imagination and the actor's ability to create place, i.e., scenery through the power of belief via total technique, and through the use of transformation
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