Awards by Nathan Levinson
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Check all the awards nominated and won by Nathan Levinson.
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1951
Nominations 1951 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
A Streetcar Named Desire Warner Bros. Studio Sound Department |
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1948
Nominations 1948 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Johnny Belinda Warner Bros. Studio Sound Department |
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1947
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(for the design and construction of a constant-speed sound editing machine)
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1946
Nominations 1946 »
Award Nominated |
Nominated Work |
Academy Award for Best Visual Effects |
A Stolen Life
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1945
Nominations 1945 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Rhapsody in Blue Warner Bros. Studio Sound Department |
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1944
Nominations 1944 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Hollywood Canteen Warner Bros. Studio Sound Department |
Academy Award for Best Visual Effects |
The Adventures of Mark Twain
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1943
Nominations 1943 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
This Is the Army Warner Bros. Studio Sound Department |
Academy Award for Best Visual Effects |
Air Force
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1942
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Honored for : Yankee Doodle Dandy
(Warner Bros. Studio Sound Department)
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Nominations 1942 »
Award Nominated |
Nominated Work |
Academy Award for Best Visual Effects |
Desperate Journey
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Academy Award for Best Sound Mixing |
Yankee Doodle Dandy Warner Bros. Studio Sound Department |
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1941
Nominations 1941 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Sergeant York Warner Bros. Studio Sound Department |
Academy Award for Best Visual Effects |
The Sea Wolf
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1940
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(for his outstanding service to the industry and the Army during the past nine years, which has made possible the present efficient mobilization of the motion picture industry facilities for the production of Army Training Films)
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Nominations 1940 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
The Sea Hawk Warner Bros. Studio Sound Department |
Academy Award for Best Visual Effects |
The Sea Hawk
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1939
Nominations 1939 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
The Private Lives of Elizabeth and Essex Warner Bros. Studio Sound Department |
Academy Award for Best Visual Effects |
The Private Lives of Elizabeth and Essex
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1938
Nominations 1938 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Four Daughters Warner Bros. Studio Sound Department |
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1937
Nominations 1937 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
The Life of Emile Zola Warner Bros. Studio Sound Department |
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1936
Nominations 1936 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
The Charge of the Light Brigade Warner Bros. Studio Sound Department |
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1935
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(for the method of intercutting variable density and variable area sound tracks to secure an increase in the effective volume range of sound recorded for motion pictures. [Sound])
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Nominations 1935 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Flirtation Walk
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Academy Award for Best Sound Mixing |
Captain Blood Warner Bros.-First National Studio Sound Department","came in 2nd |
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1934
Nominations 1934 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
Flirtation Walk Warner Bros.-First National Studio Sound Department","came in 2nd |
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1933
Nominations 1933 »
Award Nominated |
Nominated Work |
Academy Award for Best Sound Mixing |
42nd Street Warner Bros. Studio Sound Department |
Academy Award for Best Sound Mixing |
Gold Diggers of 1933 Warner Bros. Studio Sound Department","came in 3rd |
Academy Award for Best Sound Mixing |
I Am a Fugitive from a Chain Gang Warner Bros. Studio Sound Department","came in 2nd |
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