Awards & Winners

Audrey Marrs

Date of Birth 25-June-1970
Place of Birth United States of America
(Americas, DVD Region 1, United States, with Territories, Lacks Family Cemetery )
Nationality United States of America
Also know as Audrey Marie Marrs
Profession Film Producer, Keyboard Player
Audrey Marie Marrs is a film producer and the Chief Operating Officer of Representational Pictures, Inc., and producer of No End in Sight, which is her first film. It won a Special Jury Prize for documentaries at the 2007 Sundance Film Festival. She and Charles H. Ferguson were also nominated for an Academy Award in the Best Documentary Feature film category for the film. Marrs next produced Inside Job with Ferguson, a documentary about the financial crisis of 2007-2010, which was screened at the Cannes Film Festival in May 2010. Inside Job was released by Sony Pictures Classics in October 2010 and subsequently won the Academy Award for Best Documentary. Before her film career, Marrs was a participant in the Olympia, Washington indie rock scene. Marrs graduated Tumwater High School in Tumwater, Washington in 1988. She also graduated from The Evergreen State College in Olympia, Washington in 1996. In 2002, Marrs was the keyboardist for the album Girls Get Busy by the punk band Bratmobile. Before that, she was a member of Mocket. Her sister Leona is also an active musician, most notably having played keyboards in Pretty Girls Make Graves until their breakup in 2007.

Awards by Audrey Marrs

Check all the awards nominated and won by Audrey Marrs.

2011


Nominations 2011 »

Award Nominated Nominated Work
PGA Award for Outstanding Producer of Documentary Theatrical Motion Pictures Inside Job

2010


Academy Award for Best Documentary Feature
Honored for : Inside Job

Nominations 2010 »

Award Nominated Nominated Work
Gotham Independent Film Award for Best Documentary Inside Job
Academy Award for Best Documentary Feature Inside Job

2007


Nominations 2007 »

Award Nominated Nominated Work
Academy Award for Best Documentary Feature No End in Sight