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Beatriz Sarlo is an Argentine literary and cultural critic. She was also founding editor of the cultural journal Punto de Vista.
Sarlo was born in 1942 and studied literature at the undergraduate and graduate levels at the University of Buenos Aires. The writer, critic, and dramatist David Viñas was an early mentor and influence. In 1978, she co-founded Punto de Vista which was one of the major dissident voices during the military regime which ended in 1983. Because of the authoritarian nature of the regime, Sarlo and her fellow contributors had to use pseudonyms, and subordinate political questions to aesthetic ones. Paradoxically, this entailed a rethinking of the political which moved Sarlo's thought away from an earlier tendency to Marxism and other forms of radicalism. She has continued to maintain a moderate-left political stance that refrains from promoting euphorias of free-market thought or populist solidarity.
Sarlo is a highly laurelled academic who also operates as a public intellectual. She has written both on traditional literary topics—her book on Jorge Luis Borges, published in 1993, is one of the seminal works on the great Argentine fabulist—but she has also worked in more cultural areas, such as feminism, the emergence of the modern Argentine city, and Argentina's divided sense of its place in Latin America. These various interests are linked by an overall concern with the intellectual and how the idea of the intellectual functions in contemporary discursive contexts. Sarlo is not a parochial or regional thinker, but participates in global debates occasioned by critical theory, postmodernity, and the destabilization of set political ideologies after the fall of Communism. She has warned, though, against the naive transnationalism seen in an earlier female Argentine intellectual, Victoria Ocampo. In some ways, Sarlo's project is analogous to the work of thinkers of the previous generation such as Angel Rama in its ability to traverse disciplinary and discursive boundaries, though Rama specifically has not been a huge influence on Sarlo.
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