Charles Lang - Awards & Nominations

Date of Birth	27-March-1902
Place of Birth	Bluff (San Juan County, Utah)
Nationality	United States of America
Also know as	Charles Bryant Lang, Jr., Charles B. Lang Jr., Charles E. Lang, Charles Lang Jr., Charles B. Lang, Charles Lang jr, Charles F. Lang, Charles Bryant Lang, Charles Bryant Lang, Jr., A.S.C., Charles Lang, A.S.C., Charles Bryant Lang, Charles B. Lang Jr., Charles Lang Jr., Charles B. Lang, Charles E. Lang, Charles F. Lang, Charles Lang jr, Charles Bryant Lang Jr.
Profession	Cinematographer
Charles Bryant Lang, Jr., A.S.C. was an American cinematographer. Early in his career, he worked with the Akeley camera, a gyroscope-mounted "pancake" camera designed by Carl Akeley for outdoor action shots. Lang's first credits were as co-cinematographer on the silent films The Night Patrol and The Loves of Ricardo. After completing Tom Sawyer for Paramount Pictures in 1930, he continued working at the studio for more than twenty years. The style of lighting he introduced in A Farewell to Arms became heavily identified with all of Paramount's films during the 1930s and 1940s, though he occasionally worked for other studios, for instance on The Ghost and Mrs. Muir. In 1951, he began the second phase of his career, this time as a free-lance cinematographer. His credits include The Big Heat with Lee Marvin, Sabrina with Humphrey Bogart and William Holden, Gunfight at the O.K. Corral with Burt Lancaster and Kirk Douglas, The Matchmaker, Some Like It Hot with Marilyn Monroe and Jack Lemmon, The Magnificent Seven with Steve McQueen, One-Eyed Jacks with Marlon Brando, How the West Was Won in Cinerama, Charade with Cary Grant and Audrey Hepburn, Bob & Carol & Ted & Alice, and Butterflies Are Free.

Awards by Charles Lang

Check all the awards nominated and won by Charles Lang.

1996

Jack Gaughan Award for Best Emerging Artist

1990

American Society of Cinematographers Lifetime Achievement Award

1972

Nominations 1972 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography	Butterflies Are Free

1969

Nominations 1969 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography	Bob & Carol & Ted & Alice

1963

Nominations 1963 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography	How the West Was Won

1961

Nominations 1961 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography	One-Eyed Jacks

1960

Nominations 1960 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	The Facts of Life

1959

Nominations 1959 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Some Like It Hot

1958

Nominations 1958 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Separate Tables

1955

Nominations 1955 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Queen Bee

1954

Nominations 1954 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Sabrina

1952

Nominations 1952 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Sudden Fear

1948

Nominations 1948 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	A Foreign Affair

1947

Nominations 1947 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	The Ghost and Mrs. Muir

1944

Nominations 1944 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	The Uninvited

1943

Nominations 1943 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	So Proudly We Hail!

1941

Nominations 1941 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Sundown

1940

Nominations 1940 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	Arise, My Love

1933

Academy Award for Best Cinematography, Black-and-White

Honored for : A Farewell to Arms

Nominations 1933 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	A Farewell to Arms

1931

Nominations 1931 »

Award Nominated	Nominated Work
Academy Award for Best Cinematography, Black-and-White	The Right to Love

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