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Eugene C. Goossen was an American art critic and art historian who organized more than 60 art exhibitions, wrote essays for catalogues in addition to books on the subject. He was on the faculty of Hunter College, where he headed the art department.
Goossen was born in 1920 in Gloversville, New York. He attended Hamilton College, the Corcoran School of Fine Arts, the Sorbonne and earned his undergraduate degree at the New School for Social Research, where he earned a bachelor's degree. He was the art and theater critic for The Monterrey Peninsula and Herald. He moved to Bennington College in 1958, where he also served as director of exhibitions. He was hired by Hunter College in 1961 and also taught at the CUNY Graduate Center.
Goossen was responsible for organizing dozens of art exhibitions at galleries and museums around the United States. He oversaw a 1969 retrospective of works by Helen Frankenthaler at the Whitney Museum of American Art and those by Ellsworth Kelly in an exhibition at the Museum of Modern Art. In addition to essays in catalogues, Goossen's wrote several art books, including The Art of the Real, Stuart Davis and Ellsworth Kelly. In a review of the 1968 exhibition Art of the Real he organized as guest director at the Museum of Modern Art, John Canaday of The New York Times said that Goossen's essay about the exhibit was "probably the clearest definition yet of the goals and justification of a school of art that is usually written about with maximum pretentiousness". Goossen saw works by the abstract painter Doug Ohlson as depicting "yellowish pink and green dawns, blue noons, and red-orange sunsets that swiftly slide from purple to black".
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